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Dior’s Maria Grazia Chiuri on why nudity’s different when it’s photographed by a woman


She has some extent – there’s a distinction, in fact, between the female and male gaze, however typically that distinction is internalised and the top outcomes can look the identical. It’s that internalisation – what it feels prefer to put on garments – that’s so fantastically articulated within the new movie Chiuri has simply launched on-line to showcase Dior’s autumn/winter 2022 assortment.

Her fashions glide down the Corridor of Mirrors at Versailles – what might be an even bigger assertion about exterior show than that? – whereas dancers wearing nude physique fits, choreographed by Chiuri’s long run collaborator Sharon Eyal, discover their our bodies by way of motion.

Curiously, Chiuri says she didn’t have mirrors at house rising up and even now, in her house in Paris, depends on the mirror in her carry for a full size view. “I feel possibly that’s one solution to keep sane about the best way you look,” she laughs, “particularly within the age of the selfie”.

As for the garments, they’re wonderful. Quintessentially Dior, with wasp waists, however deconstructed to the purpose the place they give the impression of being as if they could float away. And – if this issues to a Dior buyer – they’re sensible. There’s a white shirt with a removable broderie anglaise bib, a black nylon coat and matching skirt (in Dior’s well-known Cannage quilting) that provides a brand new form of swimsuit and neat cashmere coats.





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