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Editor's Picks

Editor’s Picks 44: Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri


Atwood Journal is worked up to share our Editor’s Picks column, written and curated by Editor-in-Chief Mitch Mosk. Each week, Mitch will share a set of songs, albums, and artists who’ve caught his ears, eyes, and coronary heart. There may be a lot unimaginable music on the market simply ready to be heard, and all it takes from us is an open thoughts and a willingness to pay attention. By means of our Editor’s Picks, we hope to shine a lightweight on our personal music discoveries and showcase a various array of latest and up to date releases.
This week’s Editor’s Picks options Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri!

Atwood Magazine Editor's Picks 2020 Mic Mitch

 follow EDITOR’S PICKS on Spotify

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“All My Favourite Songs”

Weezer

I have at all times been an off-the-cuff Weezer fan, however one thing about their first single of the 12 months tells me that 2021’s going to herald that long-awaited second for Mitch and Weezer: “All My Favourite Songs,” taken off the band’s fourteenth studio album OK Human (out this Friday, January 29), is the type of tender but bombastic intimate upheaval our locked-down lives must get by. Pushed by a wonderful orchestral association and Rivers Cuomo’s expressive, confessional vocal efficiency, “All My Favourite Songs” is an anthem for all who discover themselves adrift, wandering aimlessly by the chasm of time at this explicit enterprise.

All my favourite songs are sluggish and unhappy
All my favourite folks make me mad
Every little thing that feels so good is unhealthy, unhealthy, unhealthy (hey, hey)
All my favourite songs are sluggish and unhappy
I don’t know what’s improper with me (ooh, ooh, ooh)
I don’t know what’s improper with me (ooh, ooh, ooh)

It’s a track for many who have misplaced their anchors, and people who by no means had an anchor to start with. Weezer sweep us off our toes with a daring ballad that plunges into deep self-reflection, dwelling on uncertainty and doubt, confusion and a nagging lack of place. What number of occasions over the previous 12 months have all of us felt misplaced; like our dwelling base isn’t dwelling anymore? The world has been turned askew all through this pandemic, and it’s all we will do to attempt for a private steadiness and a few kind of stasis. Cuomo expresses all this and extra as, surrounded by a hovering mix of violins and cellos, pianos and rock drums, he croons a somber, plaintive soundtrack to soul-searching.

I really like events, however I don’t go
Then I really feel unhealthy once I keep dwelling
‘Trigger I would like a buddy once I take a stroll
I like spacin’ out when any person talks
I wanna be wealthy, however I really feel responsible
I fall in love with everybody who hates me
All my favourite songs are sluggish and unhappy
All my favourite folks make me mad
Every little thing that feels so good is unhealthy, unhealthy, unhealthy
All my favourite songs are sluggish and unhappy
I don’t know what’s improper with me
Dreamy morning, walkin’ alone on my own
Thinkin’ about life, and tryin’ to seek out my manner by hell
Typically I want I used to be on an island
However then I’d miss the sound of sirens

“In the course of the summer season of COVID-19 we grabbed our masks, hit the studio, and commenced to chip away at what’s now referred to as OK Human,” Weezer shared upon the track’s launch earlier this month. “An album that was made by a handful of people utilizing solely analog applied sciences (together with a 38 piece orchestra) for all of you people to eat. OK Human was made at a time when humans-playing-instruments was a factor of the previous. All we might do is look again on historic occasions when people actually mattered and when the darkish tech-takeover fantasy didn’t exist. We used our devices to connect with the Nineteen Sixties and Nineteen Seventies and, with the orchestra, again to the 18th and nineteenth centuries. We had no click on monitor or loops or hi-tech sounds. Not even an electrical guitar.”

“All My Favourite Songs” is as bittersweet as it’s overwhelmingly catchy: A strong tune that speaks to those darkish, defining occasions.

“Love Me World”

Soda Blonde

Tright here are not any secrets and techniques to cover relating to my emotions towards Eire’s Soda Blonde: An Atwood Magazine 2021 artist-to-watch with a compelling, dynamic sound, the group of Faye O’Rourke, Dylan Lynch, Donagh Seaver O’Leary, and Adam O’Regan have shortly established themselves as rising stars again dwelling, bridging the choice and pop worlds with music that’s as enchanting as it’s rugged and stuffed with feeling. Their September single “Love Me World” shortly grew to become considered one of my most-streamed releases of 2020, and I can’t in good religion go on on this new 12 months with out lending it one final little bit of reward.

Sometime I do know I will likely be leaving
Digital connection shouldn’t be interesting
Will you be my orphan love
and when it will get too robust
I’ll offer you away
Be the bullet in my aspect
to remind me that love is ache.
Love me world
I would like you to like me world
Love me world I would like you

An intimate and aching indulgence, “Love Me World” is a musical seduction stuffed with confessional lyrics and sweeping grooves that each dazzle the ears and caress the center. A cinematic success, it’s as catchy as it’s cathartic – one thing of a sweeping confessional: An admission of fragility and insecurity; of wants and desires; of attention-seeking conduct. O’Rourke describes the track as an acknowledgement of the darker moments of eager to be liked by everybody; “the thought of bending to suit the zeitgeist within the pursuit of acceptance and love.” She sings a soulful outpouring, her voice melting over heavy bass and a thick keyboard melody:

Afraid of all people’s success I confess
Everybody’s harmful to my concepts of myself
I used to be lookin for a sense,
validate me, form me,
heal me with love
However from my household and buddies
and even you, my darling’s not sufficient
Love me world
I would like you to like me world
Love me world I would like you

Soda Blonde have a compelling attract that’s all their very own – an power that shines daring and vivid. By means of trustworthy lyricism and immersive, expressive music, they create a world with each track. “Love Me World” is considered one of self-recognition and acceptance; of want and longing; of being true to who we’re, no matter which means for us. Love me world, I would like you to like me, world. It’s yet one more irresistible indulgence from a band that may do no improper. Sode Blonde are set to launch their debut album later this 12 months, so keep tuned for extra coming quickly from this singular, particular expertise.

The unfathomably intimate last single off her upcoming debut album Collapsed in Sunbeams, “Caroline” finds Arlo Parks injecting magnificence into pressure and sweetness into fracture. The Atwood Magazine artist-to-watch provides tenderness and like to a second of ache as she relays a narrative of battle between two lovers. Singing easily upon a mattress of hypnotic guitars and a driving snare drum, the artist brings a nook of London to the world with vivid imagery and emotion:

I used to be ready for the bus at some point
Watched a struggle between a artsy couple escalate
Strawberry cheeks flushed with defeated rage
Then he spilled his espresso as he frantically defined
Possibly if you happen to took a breath
You’ll hear me once I speak to you
Threw her necklace in his face
Eyes so vivid with disappointment
I noticed one thing inside her break
Everyone is aware of the sensation
Out of the blue he began screaming
Caroline
I swear to God, I attempted
I swear to God, I attempted

“Caroline is an train in folks watching and seeing conditions unfold with out context,” Parks shared upon its launch. “It’s an exploration of how one thing as soon as stuffed with wholesome ardour can dissolve instantly.”

We’re all followers of individuals watching right here, and but this track goes past the straightforward act of experiencing life round you. It pulls us into these emotions because the artist absorbs this occasion, turning the atypical into extraordinary by little particulars that deliver the scene to life. This main second for a pair – one which, have been we watching it unfold, we would move it by or ignore it solely (it’s not our downside, in any case) – out of the blue turns into bigger than life as Parks dissects the feelings operating rampant by its key characters. “Watched his world dissolve in his palms, tried to roll a blem then put his head between his knees,” she softly. “Possibly if she took a breath, she would know I did all of it for her.” Ache ripples by “Caroline” in beautiful waves of heartbreak and remorse.

Ripped the hem of her skirt as she ran
Panicking and weaving by the crowds on Oxford Road
Watched his world dissolve in his palms
Tried to roll a blem then put his head between his knees, ooh
Possibly if she took a breath
She would know I did all of it for her
Agony and hints of sage
Her eyes blind with disappointment
I couldn’t acknowledge her face
Shards of glass stay on this feeling
Should one way or the other cease her leaving

Arlo Parks has made a quick title for herself over the previous three years, and 2021 is her 12 months to shine like she’s by no means shone earlier than. Her debut album Collapsed in Sunbeams releases Friday, January 29, and guarantees to be one of many 12 months’s most fun debuts – to not point out an early contender for “album of the 12 months.” Whereas we depend down the minutes, give “Caroline” your full, undivided consideration: By means of this track, we will acknowledge how really magnificent a singer and a songwriter Arlo Parks has grow to be.

“Did not Make It”

Charli Adams

Nashville artist-to-watch Charli Adams has already begun teasing her debut album Bullseye this 12 months with the duet “Maybe Could Have Loved” with Nightly, however I have to admit I’ve nonetheless bought her 2020 single “Didn’t Make It” on repeat. Adams sounds refreshed, invigorated, and confident on this hovering, easy indie pop anthem – one which earned its rightful place upon my “most performed” of 2020.

A cinematic indulgence launched in October, this track has the temperament and finesse to propel what was already spectacular year-long presence to hovering new heights with its pressing rhythm, driving pulse, and Adams’ aching voice stuffed with anguish and longing:

I used to be calling out your title
we virtually thought one thing would change
however you have been smoking by the day
& we have been children we broke the chain
you say you gained’t lie
I’ve solely been ready like a baby
black automotive, hillside
it’s solely the midnight
At all times been the one factor that I would like
sipping whiskey in your again porch
We virtually made it however we bought misplaced
no we don’t need to face it
however we didn’t make it
you’ve by no means been one to stay round
I’m hiding within the lavatory, breaking down
we virtually made it however we’re misplaced now
No we don’t wanna face it
however we didn’t make it

An intimate rush of pulsing indie pop, “Didn’t Make It” stuns with heavy, uncooked lyrics and buoyant, in-your-face sonics that radiate Charli Adams’ ardour, drive, and dedication to her artwork and herself. She waxes poetic over desires of missed connections and a love that was by no means meant to be – that crush you had, however by no means did something about. Her voice conjures up layers of nostalgia and remorse, and it’s in these swimming pools of feeling that her track dwells so gracefully: Constructed off a strong bass line paying homage to The Police’s “Each Breath You Take,” “Didn’t Make It” adorns an atmospheric and emotive radiance much like that of The 1975 and The Japanese Home.

It’s an intensely private and weak second of reality for the artist, simply because it’s a refreshing and invigorated begin to one of many 12 months’s most promising full-length debuts. Charli Adams calls for our undivided consideration with poise, grit, coronary heart, and dramatic flare. Whether or not you’re mending your individual coronary heart or in want of a glowing jam, put Charli Adams on the highest of your record.

What’s extra lovely than a girl? Nothing!” sings Nashville trio Avenue Beat as they bounce their manner into 2021. The pop band that took TikTok and the world by storm with their dazzling, unapologetic single “F2020” show themselves to be a lot extra than a one-hit surprise with “WOMAN,” their first launch of the 12 months and the official follow-up to the track that modified their lives perpetually.

A seductively easy, groovy pop jam, “WOMAN” is a stirring celebration of “feminine magnificence, physique and soul”: An outpouring of affection that brings the Sami Bearden, Savana Santos, and Sam Backoff again to our ears as they soar to chill, candy heights, embracing their womxnhood with lush vocal harmonies and beautiful melodies that tease the ear with seamless magnificence and easy grace. The self-produced monitor brings the group’s lyrical and vocal skills to the fore whereas embracing a cool, pop-R&B impressed sound that brings us again to the immersive jamz of the late ’90s and early aughts.

I been sittin’ right here tryna write a pop track
Tryna comply with up that viral shit that popped off
Racking my mind, like what can I say
I’m simply tryna recreate what I did the primary time
Is any matter even worthy of a primary line
Been right here all evening, I feel I’d cry
I didn’t imply to return out (come out, come out)
However then my lady walked in (walked in, walked in)
And I found out what I’m writing
What’s extra lovely than a girl, nothin’
Ain’t no fuckin’ vibe like a girl’s lovin’
No drug gon’ getchu excessive like
Grabbin’ her hips
Workin’ your manner up and down her
Each inch, kissin’ on the kitchen counter
Change my thoughts
What’s extra lovely than a girl

“We wished ‘WOMAN’ to be one thing you may bop to, one thing you may really feel empowered by, one thing you may make out to,” Avenue Beat inform Atwood Journal. “We undoubtedly wished the sound to replicate that, so we saved it upbeat and lightweight.”

“WOMAN” is enjoyable, evocative, significant, and impressed. It’s deceptively easy – constructed off carefully-arranged harmonies and beats that hold the music attention-grabbing, partaking, and emotive all through.

“This track is nearly how ladies are so highly regarded, and exquisite, and magical, and highly effective,” Savana Santos stated upon its launch. “And we hope that this track makes them really feel attractive and wanna dance and personal their energy just like the unhealthy bitches they’re!”

What a wonderful, refreshing strategy to begin the brand new 12 months. “WOMAN” shouldn’t be “F2020,” and that’s what makes it nice: The band sound as mighty and as alluring as ever, staying true to who they’re with out retreading outdated floor. As soon as once more, Avenue Beat have taken an unapologetic stance of their music, and as soon as once more it’s paid off. The sky appears the restrict for Backoff, Bearden, and Santos, who proceed to enthrall as they ignite a brand new 12 months with a buoyant, seductive ode to womxn all over the place.

It’s been two very lengthy years since my ears have been blown away by Scott Currie’s musical challenge, so think about my degree of pleasure once I found the artist was returning in late 2020. Launched in late October, “What’s Extra” finds the Abbotsford, British Columbia-based multi-instrumentalist, songwriter, and producer crooning over bustling, spectacular piano work and diverse mesmerizing sonics.

“Kuri demonstrates his singular expertise on the breathtaking “Type Sol,” a lyrically ingenious, musically mystifying cinematic people masterpiece,” I wrote back in early 2019. “What’s Extra” isn’t any “people” masterpiece, however quite a genre-defiant burst of dramatic energies and sweeping sounds that tickle and tease the senses. Pressure comes reeling as Kuri sings, seemingly placing his whole physique into an area of intense self-expression and unraveling:

My tongue escapes from my peace of thoughts
as soon as extra, I really feel excessive
as all my sins come reeling in
and with one bleating cry
the blind hand rose
and the entire rattling symphony clamoured
what’s extra
and my God, she froze
because the dumb lusting litany anchored
what’s extra

There’s no denying the recent feeling and pure ardour rippling by Kuri’s new music. From the sheer energy of his voice, to the track’s stirring breakdown – a second stuffed with sounds recorded round the home (at one level we hear a girl saying, “Scott, Scotty!“), together with that of his youngster and extra – “What’s Extra” stuns. The track appears to hold with it a pressure many people have felt over the previous 12 months; and the way many people have uncharacteristically misplaced our mood a number of occasions all through this pandemic? It’s a way of cooling down; of releasing the miasma of intense emotions we now have saved up inside.

“What’s Extra” is a chic, poetic reckoning. Seismic in scope and dramatic in depth and flare, it rises to a fever pitch earlier than withering away, leaving us to dwell within the cool-down everyone knows solely too effectively.

my tongue escapes
from my peace of thoughts
as soon as extra I really feel excessive
my lungs inflate
and so does my delight
and it’s all by design
and it’s in my thoughts
see the blind hand rose
and the entire rattling symphony clamored
What’s extra
and my God, she froze
because the dumb lusting litany anchored
what’s extra

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Atwood Magazine Editor's Picks 2020 Mic Mitch

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